TOTAL QUALITY MUSIC SCHOOL - Book 2

Book 2 series (4) TOTAL QUALITY MUSIC SCHOOL

BOOK 2 - TABLE OF CONTENT

FORMATIVE MACRO-PROCESS

384 Pages - 3 Processes - 15 Procedures - 39 Tables - 58 Figures

CHAPTER 1.
1. FORMATIVE MACRO-PROCESS – WELCOMING PROCESS
1.1 Purpose
1.2 Welcoming students on exam days (Primary and Secondary Course)
1.3 Publication of information (Primary and Secondary Course)
1.4 Composition of the Examination Board (Primary and Secondary Course)
1.5 Content of aptitude tests and assessment criteria for the Primary Course
1.6 Secondary Course – Programme of entrance examinations and assessment criteria
1.7 Transferring students to another class or course
1.8 Welcome Process Flowchart
1.9 Documentation of the Welcoming Process (Primary and Secondary Course)
1.10 Identification of potential risks/opportunities related to the Welcome Process (MO-09)

APPENDIX 

FORMATIVE MACRO-PROCESS Operating Instructions (OI)
OI-01 Operating instructions for drafting procedures instructions, forms, checklist and
questionnaire
WELCOMING PROCESS – Operating Procedures (OP)
OP-01 primary course – application form musical aptitude test
OP-02 secondary course – application form the entrance examination
OP-03 welcoming day of the admission and final examinations
OP-04 student transfer
OP-05 monitoring and verification of the welcoming process
WELCOMING PROCESS – Modules (MO)
MO-01 primary course – application and evaluation
MO-02 secondary course – application and evaluation
MO-03 application for enrolment in the subsequent year in primary and Secondary Course
MO-04 application to transfer course or class
MO-05 privacy. request for data consent
MO-06 calendar of examinations for the primary and secondary course
MO-07 student card – results of aptitude test primary course
MO-08 student card – results of admission examination to secondary course
MO-09 identification of potential risk/opportunities related to the welcoming process
WELCOMING PROCESS – Questionnaire (QU)
QU-01 individual questionnaire parents – students – 1st year primary course
QU-02 individual questionnaire parents – students – 1st year secondary course
WELCOMING PROCESS – Checklist (CL)
CL-01 checklist – welcoming process –

CHAPTER 2.
2. FORMATIVE MACRO-PROCESS – TEACHING AND LEARNING PROCESS
2.1 Purpose
2.2 Necessary criteria for class formation and composition in “Music School Organization”
2.3 The specificity of teaching a musical instrument
2.4 Relationship between the “Music School Organization” and the stakeholders in the
Teaching and Learning Process
2.5 The competence and skills of the teacher to guide students’ learning of a musical instrument
in the “Music School Organization”
2.6 Individual student needs and pre-requisites
2.7 Examples of didactic organization in “Music School Organization”
2.8 Registers
2.9 Publication of weekly schedules
2.10 Identification of potential risks/opportunities related to the Welcome Process (MO-09)
2.11 Evaluation of the effectiveness and efficiency of instructional activities
2.12 Musical instruments and equipment for didactic purposes
2.13 Teaching-Learning Process Flowchart
2.14 Documentation of the Teaching/Learning Process
2.15 Identification of potential risks/opportunities related to the Teaching amd Learning Process

APPENDIX

TEACHING AND LEARNING PROCESS – Operating Procedures
OP-06 class formation
OP-07 space management and classroom set-up
OP-08 assignment of subjects to teachers
OP-09 preparation of group and individual formative programs
OP-10 organization of school activities
OP-11 “music together” organization
OP-12 monitoring and verification of the teaching and learning process
TEACHING AND LEARNING PROCESS – Modules
MO-10 identification of potential risk/opportunities related to the teaching and learning process
TEACHING AND LEARNING PROCESS – Checklist
CL-02 Checklist teaching and learning process

CHAPTER 3.
3. FORMATIVE MACRO-PROCESS – ASSESSMENT OF LEARNING PROCESS
3.1 Essential criteria for a quality assessment
3.2 Finality
3.3 Transparency of all acts and documents related to evaluations
3.4 Functions of learning assessment
3.5 Verification tools
3.6 Assessment modes and steps
3.7 The initial assessment (Score)
3.8 Formative evaluation ongoing (Score)
3.9 Intermediate evaluation
3.10 Summative or final evaluation (grade)
3.11 Validity and reliability of verification evidence
3.12 Evaluation documents
3.13 Communication to families
3.14 Flowchart of the Learning Assessment Process
3.15 Documentation of the Assessments of the Learning Process
3.16 Identification of potential risks/opportunities related to the Assessments of the Learning Process

APPENDIX

ASSESSMENT OF LEARNING PROCESSOperating Procedures (OP)
OP-13 criteria for initial, ongoing, intermediate, and final evaluation
OP-14 selection criteria for the “end of year concert” OP-15 operating monitoring and verification of the assessment of the learning process
ASSESSMENT OF LEARNING PROCESS – Modules (MO)
MO-11 student performance evaluation grid with a musical instrument – ongoing, intermediate
and final – 2nd -3rd year – 2nd, 3rd cycle – final exam 3rd cycle primary course – secondary course –
MO-12 student evaluation grid in itinere, intermediate and final – 1st year primary course – 1st cycle
MO-13 student performance evaluation grid with musical instrument
– admission exam and final exam – secondary course –
MO-14 secondary course – music diploma –
MO-15 primary course – music diploma –
MO-16 identification on potential risk/opportunities related to the assessment of learning process
ASSESSMENT OF LEARNING PROCESSQuestionnaire (QU)
QU-03 individual questionnaire parents of our 1st year students in the 2nd cycle
primary course
QU-04 individual questionnaire parents of our 1st year students in the 3rd cycle
– primary course –
QU-05 individual questionnaire student – 1st year musical instruments
– secondary course –
QU-06 individual questionnaire student – 1st year music theory – secondary course –
QU-07 student self-assessment 3rd cycle – primary course
QU-08 self-assessment students’s of the group “music together” 3rd cycle
– primary course –
ASSESSMENT OF LEARNING PROCESS – Checklist (CL)
CL-03 checklist – assessment of learning process –

Bibliographic references

Chap. Book 2 Series (4) TOTAL QUALITY MUSIC SCHOOL

CHAPTER 1. The beginning

1. FORMATIVE MACRO-PROCESS – WELCOMING PROCESS
School leadership and all staff recognize that the meaning of the word “welcome” is not understood as a simple “welcome” greeting but as a process of integration into the school context in the most “helpful” way possible, i.e. offering concrete help with actions of willingness to listen, with actions to prevent discomfort and with well-defined and clear information actions.
Students, when approaching the “Music School Organization”, have the right to meet teachers who welcome them, inform them and guide them with respect, intelligence, and availability.
In this way «each student finds human warmth and friendliness, has the opportunity to be listened to and have adequate answers to their needs, feels an integral part of a system organized according to principles and rules that reflect democracy, legality, rights, duties, values». (Moncada S. 2016)
School Leadership, through the Operational Procedures and their related forms related to the Welcoming Process, declares, describes, and makes public its organizational model. (See Figure 1. Chapter 1. Welcoming Process – Documentation, and Procedures)
The Welcoming Process of the “Music School Organization” is:
■ a teacher’s way of being about the student;
■ a working method that can shape the whole organization, from spaces to relations with families;
■ the result of an educational project that requires intentionality, sharing and can
represent a key idea of artistic musical education;
■ a key moment for the integration of new students and consists of a few days of
specific activities, also during the school year, aimed at fostering integration, knowledge, getting along, and learning together;
■ the tool by which the “Music School Organization”, in a welcoming, identifying
and valuing all the contributions of individual students, including those with different cultures and abilities. The insertion of students into an unfamiliar school context is certainly a worrying moment. The “Music School Organization” teachers’ intervention aims to limit students’ uncertainties as much as possible, increasing interest, confidence, and serenity. School leadership distinguishes between objectives in:
■ General purposes:
■ Encouraging the inclusion of kindergarten students in the “Music School Organization”.
But also by students from other primary music schools.
▪ Counteracting the phenomena of discomfort and early school leaving.
▪ Fostering a willingness to learn to play musical instruments as best as possible.
But also encourage socialization through the formation of musical groups, including chamber music groups.
▪ Observe any conflict and behavioral dynamics in the class.
■ Students’ Purposes:
▪ Find a clean, safe and welcoming environment.
▪ To know the spaces, structures, rules, and bodies of the “Music School Organization”
and their functions.
▪ Presenting oneself. Expressing one’s emotions without hesitation or fear.
▪ Initial acquaintance and socialization within the class.
▪ Becoming aware of one’s capacity for openness towards others and the need
to build learning together.
■ Parents’ Purposes:
▪ To know the educational and training project that the “Music School Organization”
proposes.
▪ Cooperating with the “Music School Organization”.
▪ Helping their children to acquire the new organizational methods.
■ Teacher’ Purposes:
▪ Creating a calm climate conducive to communication.
▪ Fostering socialization between students and the creation of class spirit.
▪ To introduce the organizational model of the “Music School Organization”.
Present clearly and simply the rules to which the students will have to adhere and get used.

1.2 Welcoming students on exam days (Primary and Secondary Course)
The school leadership is aware that examination days for the Primary Course and also the Secondary Course are important days for the students. The uncertainty of being admitted to the School’s Music Courses is high and the disappointment of not proceeding can produce a disturbance in the student’s psychological state.
Students presenting themselves for the Primary Course Admission Test are accompanied by their parents. These days the School Leadership has made it necessary to organize the event in such a way as to avoid crowding, confusion, and unnecessary waiting. It has therefore prepared the Operating Procedure:
■ OP-03 WELCOME DAY OF THE ADMISSION AND FINAL EXAMINATIONS
It, therefore, prepared the Operating Procedure intending to help teachers to create a positive atmosphere during exam and admission days but also to avoid confusing situations and prevent students’ emotional difficulties when faced with new environments, people, and situations. It has decided to set up a classroom dedicated to waiting for the entrance exam for children in the first year of the Primary Course accompanied by their parents.
A trained teacher will be present to entertain and get to know the future young students while they wait. Setting up the examination rooms is the responsibility of the examining teachers, as is informing parents and students advance, in detail, of examining teachers, as informing parents and students in advance, in detail, of the examination program, but also trying to reduce the students’ emotional state as much as possible, creating a welcoming environment, seeking reassuring dialogue, removing doubts, apprehensions, suspicions, and fears.

Take a look at some figures from Book 2

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